Nana Patekar’s Sankalp Review: A Political Drama About Power, Strategy and Silent Influence

Sankalp explores politics as a long strategic game, led by Nana Patekar’s mentor figure and a strong performance by Mohammed Zeeshan Ayyub.

Filmmaker Prakash Jha returns to the political drama genre with Sankalp, a series that examines how ideology, mentorship and institutional influence shape power over time. Spanning nearly three decades, the narrative portrays politics not as a spectacle of authority but as a long strategic process where influence is gradually built within systems of governance.

At the centre of the story is Kanhaiyalal, also known as Ma’at Saab, played by Nana Patekar. The character acts as a mentor to young aspirants preparing for India’s civil service examinations. Inspired by the strategic thinking of Chanakya, Ma’at Saab believes that true power lies in shaping institutions rather than holding visible political office. Over the years, he guides promising students who later become IAS and IPS officers, gradually forming a network of administrators who carry forward his ideological vision within the government machinery.

The political tension emerges as this quiet system of influence intersects with elected leadership. Chief Minister Prashant Singh, played by Sanjay Kapoor, stands on the opposing side along with party president Waqar Mapillah, portrayed by Neeraj Kabi. Their political journey reflects shifting alliances and rivalries that unfold across the years.

Among the cast, Mohammed Zeeshan Ayyub stands out with a compelling performance as Aditya, a character navigating moral conflict within the political structure. His role adds emotional depth to the narrative and gradually becomes the anchor of the season.

While some performances feel uneven, Sankalp maintains intrigue through layered storytelling and morally complex characters, setting the stage for larger political conflicts in future seasons.

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